What's New
Episode Guide
Character Info
Show Info
Photo Gallery
Sound Bites
Convention 98
E! Links

Show Info

Premise: The show centers around Station 51 and Rampart Emergency Hospital.  Station 51 contains a squad and an engine (the station has had both a Crown and a Ward LaFrance) with a normal crew of six, two of which are paramedics. The show begins with the pilot movie showing the paramedic program in its infancy, before legislation is in effect to allow the paramedics to function independently.  It follows the characters of paramedics John Gage and Roy DeSoto to the point when they are promoted to captain. Most episodes were split between rescue scenes in "the field" and follow-up treatment at the hospital afterward.

Just the facts: Emergency! originally aired between 1972 and 1977 on NBC. It consisted of 132 one-hour episodes with one two-hour pilot movie, and four two-hour sequel movies. It was mostly filmed in the Los Angeles area (The movies were filmed in Seattle and San Francisco). In reality, Fire Station 106 was the original station chosen  for filming the show but it faced North (and would throw shadows) so Station 127 was used instead.  The syndicated episodes were apparently retitled Emergency One! to avoid confusion.

rampart.jpg (15221 bytes)Many episodes dealt with actual events in an attempt to educate, as well as entertain, the public. The format of the show (dividing the episodes between rescue scenes and hospital scenes) was due to the expense of filming rescue scenes, while the hospital scenes were relatively inexpensive -- so by splitting the episode between the hospital and the field, the production company saved money.

The exterior of Rampart Hospital was actually Harbor UCLA Medical Center, located in Torrance, California.

The show starred Robert Fuller as Dr. Kelly Brackett, Julie London as Dixie McCall, Bobby Troup as Dr. Joe Early, Kevin Tighe as Roy DeSoto, and Randolph Mantooth as John Gage. The director/producer of the show was Jack Webb and the executive producer was Robert Cinader.   

During the run of the show, the Los Angeles County F.D. promoted the paramedic program and the new Ward LaFrance engine in a 4000-mile tour from New York to West Coast studio.  You can read more about it in Dick Friend's A Nation Viewed by a Pumper.

horizontal rule


"To suffer fifty weeks of the year for the sake of a two-week vacation; it's a measly manner of existence." These are the feelings expressed by a character in Arthur Miller's mult-award winning play, "Death of a Salesman."

Fortunately, members of paramedics emergency rescue teams don't feel this way, for the know that they are members of an exciting, rewarding, although sometimes dangerous, profession.

Their way of life constitutes the main strength of Universal Television's hour-long series "Emergency!", which begins it's fourth season on the NBC Television Network on Saturday, September 14.

Not only has "Emergency!" proven successful and popular television viewing, it's graphic illustration of society's need for trained paramedics, has in the words of Senator Alan Cranston "…alerted the public to the value of paramedic for better emergency care."

In September, 1972, the Senator wrote to Jack Webb, whose Mark VII Ltd. produces the series to say… We unanimously passed a bill that, among other things would promote the  training of paramedics to staff ambulances and emergency rooms in hospitals across the country. I introduced the provisions in the bill dealing with paramedics and emergency medical services in hopes that our nation will make greater use of the thousands of experienced, able young men who have returned from Vietnam with the medical skills America needs so desperately. They are to get top priority in the training programs.  Jack, your "EMERGENCY!" series fired the public imagination and was the harbinger for a medical idea whose time, I believe, has come. In the midst of a severe shortage of doctors, nurses and trained emergency personnel, 175,000 die each year because they do not get adequate medical care in an emergency. Another 25,000 are left permanently disabled because of inept handling by untrained ambulance attendants. "EMERGENCY!" has dramatized the potential of the paramedic. I hope the House of Representatives and the President will now follow the lead of 100 Senators -- and Jack Webb! Thank you for the good work, Jack. And congratulations to you and all the people connected with "EMERGENCY!"

The background of "Emergency!" as a television series is the true story of a project that began in Los Angeles in 1969, the year that launched a specially trained team of highly skilled firemen-paramedics to operate rescue squads for the L.A. County Fire Department. Although many fire departments traditionally have provided rescue service to aid the injured, sick and dying, it was obvious to many civic officials and medical personnel that too many patients were being lost before they could receive trained medical aid at the hospital.

The initial program to alleviate this waste of life was inaugurated, funded by the federal and county governments. In pairs, the firefighters went with doctors on their daily hospital rounds, checking vital signs, taking blood pressure readings, interpreting electrocardiograms. The performed as "student medical assistants". 

Afternoons were spent in the classrooms, where the firemen and a score of registered nurses qualified to become Cardiac Care Unit Specialist.

Three short months later, the firemen were in the fields, able to put their newly acquired knowledge to use with the aid of sophisticated, and expensive, mobile equipment which was added to the conventional rescue squad trucks.

For the first year, a nurse accompanied the paramedics on all calls because there was no legal authority for the firemen to perform the advanced techniques they had learned. Then, the Wedworth-Townsend Act was passed by the California State Legislature and the paramedic program was off the ground.

Jack Webb has been blazing new trails in dramatic programs for more than 20 years. He films "Emergency!" with the full cooperation and assistance of the Los Angeles County Fire Department as well as the County Department of Hospitals.

Adding a decidedly realistic touch, authentic fire-fighting equipment has been loaned to the production company. Should any of it be needed in an actual crisis, a "hot line" links fire department headquarters to the sound stage. One ring on that instrument, appropriately painted fire engine red, and film production becomes secondary to the needs of the community.

As the series begins it's fourth season, Robert A Cinder remains as executive producer. Robert Fuller, Julie London, Bobby Troup, Randolph Mantooth and Kevin Tighe, heading the star line-up, continue to keep the viewing audiences entertained.

I believe this came from a public release that a fan sent us, but I'm sorry, I'm not sure.

horizontal rule

Note from Richard Yokley:

Before there was "Emergency!" there was "Emergency." Note the missing "!"  In Australia in 1959 there was a TV series titled Emergency that featured primarily the Doctors and nurses in a hospital along with guys in an ambulance.  The episodes would open with a vehicle accident or medical emergency with the ambulance crew responding, treating, picking them up and bringing them back to the hospital for treatment where the balance of the live on film, kinescope, took place. The 30 minute episodes were quite poplar at the time.

horizontal rule

This page is not associated with Universal, MCA or its affiliates. Some items are on loan to emergencyfans.com from various sources. These sources retain their copyright. Original works submitted by fans (such as filksongs & fan fiction) are property of their authors and cannot be duplicated without the author's permission. Any information not previous copyrighted is © 1997– by Emergencyfansdotcom and cannot be reproduced without express written permission • Search by sitePrivacy Policy